Showing 49–64 of 82 results
Showing 49–64 of 82 results
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Marimba and Harpsichord duet.
Marimba and Harpsichord duet.
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.
Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.
A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes
A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.
Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.
“G-Major Prelude” as recorded by Vida Chenoweth, Gordon Stout and many other artists. This work can be performed with or without the included piano accompaniment.
“G-Major Prelude” as recorded by Vida Chenoweth, Gordon Stout and many other artists. This work can be performed with or without the included piano accompaniment.
For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.
For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.
For solo xylophone with marimba (2 players) or piano accompaniment
For solo xylophone with marimba (2 players) or piano accompaniment
Butov has written a delightful xylophone solo, in rag style but with slightly more contemporary harmonies than the standard rags.
Butov has written a delightful xylophone solo, in rag style but with slightly more contemporary harmonies than the standard rags.
