Showing 161–174 of 174 results
Showing 161–174 of 174 results
Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.
Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.
Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.
Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.
A collection of three short etudes for solo vibraphone.
A collection of three short etudes for solo vibraphone.
A standard repertoire piece for all aspiring young players. Don Skoog’s Water and Fire was the second prize winner in the 1982 PAS composition competition. “Destined to become part of the serious artist/performers repertoire.” (PAS Review)
A standard repertoire piece for all aspiring young players. Don Skoog’s Water and Fire was the second prize winner in the 1982 PAS composition competition. “Destined to become part of the serious artist/performers repertoire.” (PAS Review)
Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.
Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.
This is an exciting composition for vibraphone- one that would make an excellent choice for a senior recital. The piece may be played in its entirety, but the composer also gives recommended combinations of movements to be played if the performer chooses.
This is an exciting composition for vibraphone- one that would make an excellent choice for a senior recital. The piece may be played in its entirety, but the composer also gives recommended combinations of movements to be played if the performer chooses.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
