Showing 1–20 of 40 results
Showing 1–20 of 40 results
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
A timpani piece with a “difference!” The first two movements exploit traditional timpani techniques in a musical fashion, with the emphasis on sensitive ensemble playing with the pianist. In the third movement, ‘Fandango’, both pianist and timpanist add sections of hand clapping and flamenco-style heel stomping. A real crowd-pleaser!
A timpani piece with a “difference!” The first two movements exploit traditional timpani techniques in a musical fashion, with the emphasis on sensitive ensemble playing with the pianist. In the third movement, ‘Fandango’, both pianist and timpanist add sections of hand clapping and flamenco-style heel stomping. A real crowd-pleaser!
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
“Donnerkreis” means “thunder circle” in German, a most appropriate title, since the eight timpanists (each playing single timpani) surround the audience. What a finale this would make to a percussion ensemble concert!
“Donnerkreis” means “thunder circle” in German, a most appropriate title, since the eight timpanists (each playing single timpani) surround the audience. What a finale this would make to a percussion ensemble concert!
for Solo Timpani
Based on the music and rhythms of Beethoven’s Symphony #7
for Solo Timpani
Based on the music and rhythms of Beethoven’s Symphony #7
These pieces, which range from three to five minutes, can be utilized effectively in private instruction, performing in a studio class or compiled together for a suite to be performed in public. These aspects will serve students and audience members alike and are worth considering for your library.
These pieces, which range from three to five minutes, can be utilized effectively in private instruction, performing in a studio class or compiled together for a suite to be performed in public. These aspects will serve students and audience members alike and are worth considering for your library.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
Audio recording:
Hinger writes notes and tips for performance and practice of Beethoven, Strauss, Tchaikovsky, Sibelius, Richard Strauss, and Igor Stravinsky. Save $30 by buying the entire Hinger collection (Vol. 1-6).
Hinger writes notes and tips for performance and practice of Beethoven, Strauss, Tchaikovsky, Sibelius, Richard Strauss, and Igor Stravinsky. Save $30 by buying the entire Hinger collection (Vol. 1-6).
This piece was originally written for my percussion teacher, John Beck, to celebrate his 65th birthday. I also performed on the concert with John Beck. It was at this birthday […]
Written for four timpani and two Chinese opera gongs, Kataigída builds a thunderstorm using rhythm, meter, and extended performance techniques. Hinger begins slow and quiet, and intensifies, finishing with crashing cymbals and pulsing cadence.
Written for four timpani and two Chinese opera gongs, Kataigída builds a thunderstorm using rhythm, meter, and extended performance techniques. Hinger begins slow and quiet, and intensifies, finishing with crashing cymbals and pulsing cadence.
These etudes do challenge the advancing timpanist’s tuning skills, but they include so much more – rhythmic, technical, and above all, musical challenges.
These etudes do challenge the advancing timpanist’s tuning skills, but they include so much more – rhythmic, technical, and above all, musical challenges.
Intermediate to advanced technique is required for a successful performance of this theatrical timpani solo. Each movement is about two minutes in length, making the entire three-movement suite appropriate for the undergraduate timpanist. This composition should be performed as an entire unit and would be an excellent selection for a junior or senior undergraduate recital.- Jim Lambert, Percussive Notes
Intermediate to advanced technique is required for a successful performance of this theatrical timpani solo. Each movement is about two minutes in length, making the entire three-movement suite appropriate for the undergraduate timpanist. This composition should be performed as an entire unit and would be an excellent selection for a junior or senior undergraduate recital.- Jim Lambert, Percussive Notes
An exciting, semi-programmatic work, “Scenes from an Ancient Battle” amply displays the timpanist’s technical skills, including damping, cross sticking and independence of the two hands. Control of the extremes of the timpani’s dynamic range is a must for this piece. Great choice for a contest, jury or recital!
An exciting, semi-programmatic work, “Scenes from an Ancient Battle” amply displays the timpanist’s technical skills, including damping, cross sticking and independence of the two hands. Control of the extremes of the timpani’s dynamic range is a must for this piece. Great choice for a contest, jury or recital!
Hinger’s solo book was written to contribute interesting and challenging material to the repertoire of the advanced tympanist.
Hinger’s solo book was written to contribute interesting and challenging material to the repertoire of the advanced tympanist.
