$30.00
Covering nine symphonies, Hinger writes notes and tips for performance and practice of pieces ranging from Beethoven’s Symphony No. 1 in C major, Opus 21 to Symphony No. 9 in D minor, Opus 125.
Hinger writes notes and tips for performance and practice of Beethoven, Strauss, Tchaikovsky, Sibelius, Richard Strauss, and Igor Stravinsky. Save $30 by buying the entire Hinger collection (Vol. 1-6).
Hinger writes notes and tips for performance and practice of Beethoven, Strauss, Tchaikovsky, Sibelius, Richard Strauss, and Igor Stravinsky. Save $30 by buying the entire Hinger collection (Vol. 1-6).
Hinger’s techniques includes written explanations and exercises/etudes to read and put the techniques into practice.
Hinger’s techniques includes written explanations and exercises/etudes to read and put the techniques into practice.
Hinger’s solo book was written to contribute interesting and challenging material to the repertoire of the advanced tympanist.
Hinger’s solo book was written to contribute interesting and challenging material to the repertoire of the advanced tympanist.
Hinger writes notes and tips for performance and practice on three featured Stravinsky pieces including The Firebird Suite (1919 Version) and The Rite of Spring.
Hinger writes notes and tips for performance and practice on three featured Stravinsky pieces including The Firebird Suite (1919 Version) and The Rite of Spring.
Hinger writes notes and tips for performance and practice on eight featured Strauss pieces including Also sprach Zarathustra, Op. 30 and Don Quixote, Op. 35.
Hinger writes notes and tips for performance and practice on eight featured Strauss pieces including Also sprach Zarathustra, Op. 30 and Don Quixote, Op. 35.
Covering five pieces and featuring The Swan of Tuonela, Hinger writes notes and tips for performance and practice of Sibelius’s pieces.
Covering five pieces and featuring The Swan of Tuonela, Hinger writes notes and tips for performance and practice of Sibelius’s pieces.
MostlyMarimba is pleased to announce that we have acquired the historic timpani catalog of legendary timpanist and teacher, Fred Hinger. These are not “just” excerpt books, but rather full-length orchestral timpani parts annotated with his stickings and commentary.
Covering nine symphonies, Hinger writes notes and tips for performance and practice of pieces ranging from Beethoven’s Symphony No. 1 in C major, Opus 21 to Symphony No. 9 in D minor, Opus 125.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
A compilation of British and American drum beatings written for one or more of both fife and drum.
A compilation of British and American drum beatings written for one or more of both fife and drum.
Hinger’s techniques includes written explanations and exercises/etudes to read and put the techniques into practice.
Hinger’s techniques includes written explanations and exercises/etudes to read and put the techniques into practice.
The popular worship song originally recorded by Kari Jobe, now arranged for solo marimba.
The popular worship song originally recorded by Kari Jobe, now arranged for solo marimba.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Inspired by Beethoven and other classical composers, Sonata’s three movements combine tradition and modernity. The first movement has a classic form and harmonic structure, the second builds rhythmic complexity, and the third is a tribute to the Brazilian song “Tico Tico.”
Inspired by Beethoven and other classical composers, Sonata’s three movements combine tradition and modernity. The first movement has a classic form and harmonic structure, the second builds rhythmic complexity, and the third is a tribute to the Brazilian song “Tico Tico.”
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Ninkasi is the Sumerian goddess of beer and brewing. This collection is inspired by the original Hymn to Ninkasi, which was first written down in c. 1800 BCE. The eight hymns written for four players can be played separately, or in entirety.
Ninkasi is the Sumerian goddess of beer and brewing. This collection is inspired by the original Hymn to Ninkasi, which was first written down in c. 1800 BCE. The eight hymns written for four players can be played separately, or in entirety.
The first book to fully unravel the intricacies of dampening and pedaling on the vibraphone. Includes 16 etudes of progressive difficulty and varying style, and explores dampening techniques from foundational to lesser-known.
The first book to fully unravel the intricacies of dampening and pedaling on the vibraphone. Includes 16 etudes of progressive difficulty and varying style, and explores dampening techniques from foundational to lesser-known.
Covering five pieces and featuring The Swan of Tuonela, Hinger writes notes and tips for performance and practice of Sibelius’s pieces.
Covering five pieces and featuring The Swan of Tuonela, Hinger writes notes and tips for performance and practice of Sibelius’s pieces.
Perin’s collection of personal and musical notes, lectures, transcriptions, lessons, and exercises accumulated over many years to help players gain a holistic understanding of the vibraphone.
Perin’s collection of personal and musical notes, lectures, transcriptions, lessons, and exercises accumulated over many years to help players gain a holistic understanding of the vibraphone.
Covering seven pieces and featuring 1812 Overture and Romeo and Juliet, Fantasy Overture, Hinger writes notes and tips for performance and practice of Tchaikovsky’s pieces.
Covering seven pieces and featuring 1812 Overture and Romeo and Juliet, Fantasy Overture, Hinger writes notes and tips for performance and practice of Tchaikovsky’s pieces.
