Chamber/Ensemble

Starburst

$40.00

A third-place winner in the 1998 PAS composition contest for small percussion ensemble. An intense exploration of the monotonal relationship between the diminished (modulatory) and augmented (resolutory) symmetrical polytonal pitch sets. The complexity of each of the individual parts mesh together to create an intriguing tapestry of ever-evolving sound.

A third-place winner in the 1998 PAS composition contest for small percussion ensemble. An intense exploration of the monotonal relationship between the diminished (modulatory) and augmented (resolutory) symmetrical polytonal pitch sets. The complexity of each of the individual parts mesh together to create an intriguing tapestry of ever-evolving sound.

Textures

$35.00

Three percussion quartets, each of different textures, are accompanied by bongos, congas, and a drum set (with an extended solo). The metal quartet includes cowbells and a frying pan, the bead quartet is scored for maracas and shekere, and the wood quartet features two pairs of claves, a woodblock and a temple block.

Three percussion quartets, each of different textures, are accompanied by bongos, congas, and a drum set (with an extended solo). The metal quartet includes cowbells and a frying pan, the bead quartet is scored for maracas and shekere, and the wood quartet features two pairs of claves, a woodblock and a temple block.

The Blue Flame Quintet

$52.00$61.00

The Blue Flame Quintet was written for the Lassiter High School Percussion Ensemble in 2005 and premiered at the Midwest International Band and Orchestra Convention in Chicago. The quintet is scored for solo marimba (5 octave), and four accompanying multiple percussionists.”The work is roughly six minutes in duration and is sure to be a crowd pleaser. From a student ensemble perspective, it might be one of the most accessible of Burritt’s “marimba plus ensmeble” compositions.”-Percussive News

The Blue Flame Quintet was written for the Lassiter High School Percussion Ensemble in 2005 and premiered at the Midwest International Band and Orchestra Convention in Chicago. The quintet is scored for solo marimba (5 octave), and four accompanying multiple percussionists.”The work is roughly six minutes in duration and is sure to be a crowd pleaser. From a student ensemble perspective, it might be one of the most accessible of Burritt’s “marimba plus ensmeble” compositions.”-Percussive News

The Invisible Proverb

$75.00

This four-movement work for five percussionists is featured on the latest NEXUS CD, Drumtalker. Throughout the composition Hartenberger uses elements of talking drum styles and the rhythm patterns of West African drumming ensembles.

This four-movement work for five percussionists is featured on the latest NEXUS CD, Drumtalker. Throughout the composition Hartenberger uses elements of talking drum styles and the rhythm patterns of West African drumming ensembles.

The Oregon Variations

$69.00

“This is a composition for solo marimba (5.0 octave) accompanied by two mallet-keyboard parts and two percussion parts. This piece will be rewarding for the intermediate to advanced percussion ensemble. It is very organic in sound and has wonderful amalgamations of percussion colors.”- Percussive Notes

“This is a composition for solo marimba (5.0 octave) accompanied by two mallet-keyboard parts and two percussion parts. This piece will be rewarding for the intermediate to advanced percussion ensemble. It is very organic in sound and has wonderful amalgamations of percussion colors.”- Percussive Notes

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