Showing 33–48 of 64 results
Showing 33–48 of 64 results
A third-place winner in the 2010 PAS composition contest for marimba/cello duo. Marimba and Cello Duet or Unaccompanied Marimba
A third-place winner in the 2010 PAS composition contest for marimba/cello duo. Marimba and Cello Duet or Unaccompanied Marimba
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
A new marimba quartet inspired by the garden of impressionist painter Claude Monet.
A new marimba quartet inspired by the garden of impressionist painter Claude Monet.
Rehearsal and accompaniment tracks available for download here.
Rehearsal and accompaniment tracks available for download here.
Manhattan Escapades was written in 2012 for two marimbas, both requiring a 5.0 instrument. Premiered at Ithaca College in 2014 with Gordon Stout and Kate Burns (Vorel).
Manhattan Escapades was written in 2012 for two marimbas, both requiring a 5.0 instrument. Premiered at Ithaca College in 2014 with Gordon Stout and Kate Burns (Vorel).
This work is an unsung hero of the marimba quartet literature. It has not gotten its well-deserved circulation through the percussion community because it was unavailable for so long.Now available in a clearly engraved edition with single sheet 11 x 17 inch parts with a spiral-bound score.
This work is an unsung hero of the marimba quartet literature. It has not gotten its well-deserved circulation through the percussion community because it was unavailable for so long.Now available in a clearly engraved edition with single sheet 11 x 17 inch parts with a spiral-bound score.
This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.
This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.
Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.
Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
“G-Major Prelude” as recorded by Vida Chenoweth, Gordon Stout and many other artists. This work can be performed with or without the included piano accompaniment.
“G-Major Prelude” as recorded by Vida Chenoweth, Gordon Stout and many other artists. This work can be performed with or without the included piano accompaniment.
For solo xylophone with marimba (2 players) or piano accompaniment
For solo xylophone with marimba (2 players) or piano accompaniment
